Tatsu Ishikawa
Software Synthesizer Interface Design JE-8086 by The Usual Suspects2026
 Interface redesign for JE-8086, an open source software synthesizer that emulates the legendary Roland JP-8000 and JP-8080, famous for their iconic SuperSaw sound, through reverse engineering the original DSP processor for bit-accurate chip-level emulation—meaning the sound isn't just similar to the original, it's perfectly identical.

While the original interface follows what most music production plugins do—a skeuomorphic approach mimicking classic hardware—I aimed to bring contemporary design language to the field with minimalJE, focusing on clarity and usability while respecting the original hardware aesthetic. Working within the plugin's RmlUI framework, minimalJE uses contemporary typography, colour palette, and clean spacing for greater immediacy. The logo was redrawn to reflect the new name while preserving the distinctive character of the original letterforms.

minimalJE is available to download here. Learn more about the JE-8086 synthesizer at The Usual Suspects.
Visual Identity Client: Significant Patch (Concept project)2025
 Significant Patch is a concept project for an imagined event centered on electronic music performed entirely with hardware: live modular synthesis, sequencing, and real-time improvisation.

The name captures the moment when a single patch transforms everything, when intuition and technology create something unexpected.

I developed the full visual identity, including logo, posters, social media content, and merchandise. The work draws on research into hardware music production and performance culture while establishing a cohesive visual identity for the event.
Visual IdentityClient: Sprint2025
Visual identity for Sprint, a weekly PT-led interval session at Crowborough running track.

The wordmark uses custom lettering inspired by speed and motion while remaining open and welcoming. I developed a custom illustration to support the identity across posters and merchandise.

The brand colours reference the track surface itself: the terracotta tone, and the darker red echoing the moment sweat drips and darkens the track.
Visual IdentityClient: 33Seconds2024

Visual identity for 33Seconds, a creative communications agency. The name references a study on attention spans. I designed a logo suggesting a rotating timer stopped just under 33 seconds, with the double prime mark representing seconds.

The visual system incorporates four abstract wormhole graphics, each built through incremental reduction of duplicated shapes. The concept explores time distortion: how immersive experiences compress or expand our perception of time passing, mirroring the effect of engaging their creative work. These wormholes form a flexible visual language used across touchpoints.

The project included a PowerPoint template with built-in grids and typographic rules for non-designers to create consistent decks, plus supporting assets including custom illustrations for for their website and an anniversary cap.
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